Spassky Fischer
Concrete graphic design and sensitive art direction
Möbel, New Tendency
When smoke becomes forms
2024
See also fig.
10
,
27
See also fig.
10
,
27
Études Studio
Growing up and bold in Paris city
2023
See also fig.
34
,
40
,
52
See also fig.
34
,
40
,
52
Hermès
Helping Hermès to find the right fit
Since 2019
See also fig.
4
,
35
See also fig.
4
,
35
Hermès
Helping Hermès to find the right fit
Since 2019
See also fig.
3
,
35
See also fig.
3
,
35
Le gobelet de cristal, Thierry Chancogne, ed. Tombolo Presses
2022
Paris Photo
Since 2024
See also fig.
45
,
66
See also fig.
45
,
66
Festival d’Automne
Design of the visual identity of the multidisciplinary annual art festival
Since 2024
See also fig.
30
,
31
,
58
See also fig.
30
,
31
,
58
Sigma, Capc—Musée d'art contemporain de Bordeaux
2013
See also fig.
39
See also fig.
39
Mucem
Global visual identity for the Museum of Marseille
From 2016 to 2023
See also fig.
21
,
25
,
60
,
74
See also fig.
21
,
25
,
60
,
74
Mucem
Global visual identity for the Museum of Marseille
From 2016 to 2023
See also fig.
21
,
25
,
60
,
74
See also fig.
21
,
25
,
60
,
74
Möbel, New Tendency
When smoke becomes forms
2024
See also fig.
1
,
27
See also fig.
1
,
27
Laura Huang Li
Coloured palette on grey flowers
2025
Chaïm Soutine/Willem de Kooning, Musée d'Orsay, ed. Hazan
Boys going hard in da paint
2022
See also fig.
41
,
69
See also fig.
41
,
69
T2G—Théâtre de Gennevilliers
When personnal archives goes public
Since 2020
See also fig.
14
,
71
See also fig.
14
,
71
T2G—Théâtre de Gennevilliers
When personnal archives goes public
Since 2020
See also fig.
13
,
71
See also fig.
13
,
71
Absalon, Absalon, ed. Paraguay Press
Released during the exhibition at Capc
2021
Rex, Perez
2022
French Pavilion, Biennale de Venise
2023
See also fig.
28
See also fig.
28
Capc—Musée d'art contemporain de Bordeaux
Global identity for the comtemporary art museum in Bordeaux
Since 2020
See also fig.
43
,
68
,
70
See also fig.
43
,
68
,
70
Guten Tag, Tomek, ed. Rotolux Press
A 4 years wandering in the streets of Paris with a graffiti writer
2023
See also fig.
26
See also fig.
26
MAC VAL
First steps in the art world
From 2012 to 2023
See also fig.
33
,
50
See also fig.
33
,
50
MAC VAL
First steps in the art world
From 2012 to 2023
See also fig.
33
,
50
See also fig.
33
,
50
Mucem
Global visual identity for the Museum of Marseille
From 2016 to 2023
See also fig.
9
,
25
,
60
,
74
See also fig.
9
,
25
,
60
,
74
Éditions Caryatide
More books about architecture
Since 2022
See also fig.
24
,
64
,
65
,
67
,
73
See also fig.
24
,
64
,
65
,
67
,
73
Nonfiction
Art direction for korean fragrance new floral collection
2025
Éditions Caryatide
More books about architecture
Since 2022
See also fig.
22
,
64
,
65
,
67
,
73
See also fig.
22
,
64
,
65
,
67
,
73
Mucem
Global visual identity for the Museum of Marseille
From 2016 to 2023
See also fig.
9
,
21
,
60
,
74
See also fig.
9
,
21
,
60
,
74
Guten Tag, Tomek, ed. Rotolux Press
A 4 years wandering in the streets of Paris with a graffiti writer
2023
See also fig.
19
See also fig.
19
Möbel, New Tendency
When smoke becomes forms
2024
See also fig.
1
,
10
See also fig.
1
,
10
French Pavilion, Biennale de Venise
2023
See also fig.
17
See also fig.
17
Sans Titre
Chaumont design graphique
2014
See also fig.
49
See also fig.
49
Festival d’Automne
Design of the visual identity of the multidisciplinary annual art festival
Since 2024
See also fig.
7
,
31
,
58
See also fig.
7
,
31
,
58
Festival d’Automne
Design of the visual identity of the multidisciplinary annual art festival
Since 2024
See also fig.
7
,
30
,
58
See also fig.
7
,
30
,
58
France Atlantide—Le mystère des pyramides
Institut sérigraphique
2025
MAC VAL
First steps in the art world
From 2012 to 2023
See also fig.
20
,
50
See also fig.
20
,
50
Études Studio
Growing up and bold in Paris city
2023
See also fig.
2
,
40
,
52
See also fig.
2
,
40
,
52
Hermès
Helping Hermès to find the right fit
Since 2019
See also fig.
3
,
4
See also fig.
3
,
4
Hermès
Helping Hermès to find the right fit
Since 2019
See also fig.
3
,
4
See also fig.
3
,
4
Stains and Ashes, Ola Rindal
Blurry prints, grey paper, japanese binding, Norwegian sky
2025
Galaade Éditions
2005
Postdocument
A compilation of exhibition views
2015
Postdocument
A compilation of exhibition views
2015
Sigma, Capc—Musée d'art contemporain de Bordeaux
2013
See also fig.
8
See also fig.
8
Études Studio
Growing up and bold in Paris city
2023
See also fig.
2
,
34
,
52
See also fig.
2
,
34
,
52
Chaïm Soutine/Willem de Kooning, Musée d'Orsay, ed. Hazan
Boys going hard in da paint
2022
See also fig.
12
,
69
See also fig.
12
,
69
Prélude
Gradient print to inaugurate the arlesian foundation
2021
Capc—Musée d'art contemporain de Bordeaux
Global identity for the comtemporary art museum in Bordeaux
Since 2020
See also fig.
18
,
68
,
70
See also fig.
18
,
68
,
70
7 ans de réflexion, Musée d'Orsay, ed. Hazan
2014
Paris Photo
Since 2024
See also fig.
6
,
66
See also fig.
6
,
66
Paris Photo
Since 2024
See also fig.
6
,
66
See also fig.
6
,
66
Parallèle
Identity of a dance festival in Marseille
From 2018 to 2024
De l’inconvénient d’être nez à nez
Poster for an incertain exhibition
2015
Rue Claude Parent
Exhibition at Ravisius Textor, Nevers
2019
Sans Titre
Chaumont design graphique
2014
See also fig.
29
See also fig.
29
MAC VAL
First steps in the art world
From 2012 to 2023
See also fig.
20
,
33
See also fig.
20
,
33
Rejected Stone, Jimmie Durham, Paris Musée
Catalogue of the exhibition at Musée d'Art moderne de la ville de Paris
2009
See also fig.
59
,
61
See also fig.
59
,
61
Études Studio
Growing up and bold in Paris city
2023
See also fig.
2
,
34
,
40
See also fig.
2
,
34
,
40
Rejected Stone, Jimmie Durham, Paris Musée
Catalogue of the exhibition at Musée d'Art moderne de la ville de Paris
2009
See also fig.
59
,
61
See also fig.
59
,
61
Elaine Alain, ADAGP
From 2018 to 2023
Elaine Alain, ADAGP
From 2018 to 2023
Centre Wallonie Bruxelles à Paris
Art is about mouvement
From 2020 to 2023
Rue Claude Parent
Exhibition at Ravisius Textor, Nevers
2019
*Duuu Radio
Design of the art dedicated radio on line
2020
Festival d’Automne
Design of the visual identity of the multidisciplinary annual art festival
Since 2024
See also fig.
7
,
30
,
31
See also fig.
7
,
30
,
31
Rejected Stone, Jimmie Durham, Paris Musée
Catalogue of the exhibition at Musée d'Art moderne de la ville de Paris
2009
See also fig.
51
,
53
,
61
See also fig.
51
,
53
,
61
Mucem
Global visual identity for the Museum of Marseille
From 2016 to 2023
See also fig.
9
,
21
,
25
,
74
See also fig.
9
,
21
,
25
,
74
Rejected Stone, Jimmie Durham, Paris Musée
Catalogue of the exhibition at Musée d'Art moderne de la ville de Paris
2009
See also fig.
51
,
53
,
59
See also fig.
51
,
53
,
59
105 œuvres décisives de la peinture occidentale, Michel Butor
A journey in the History of Art by the famous writer
2016
25 Arts Seconde Centre Wallonie Bruxelles
Artist film Festival
2021
Éditions Caryatide
More books about architecture
Since 2022
See also fig.
22
,
24
,
65
,
67
,
73
See also fig.
22
,
24
,
65
,
67
,
73
Éditions Caryatide
More books about architecture
Since 2022
See also fig.
22
,
24
,
64
See also fig.
22
,
24
,
64
Paris Photo
Since 2024
See also fig.
6
,
45
See also fig.
6
,
45
Éditions Caryatide
More books about architecture
Since 2022
See also fig.
22
,
24
,
64
See also fig.
22
,
24
,
64
Capc—Musée d'art contemporain de Bordeaux
Global identity for the comtemporary art museum in Bordeaux
Since 2020
See also fig.
18
,
43
,
70
See also fig.
18
,
43
,
70
Chaïm Soutine/Willem de Kooning, Musée d'Orsay, ed. Hazan
Boys going hard in da paint
2022
See also fig.
12
,
41
See also fig.
12
,
41
Capc—Musée d'art contemporain de Bordeaux
Global identity for the comtemporary art museum in Bordeaux
Since 2020
See also fig.
18
,
43
,
68
See also fig.
18
,
43
,
68
T2G—Théâtre de Gennevilliers
When personnal archives goes public
Since 2020
See also fig.
13
,
14
See also fig.
13
,
14
Carcy Magazine
From 2019 to 2021
Éditions Caryatide
More books about architecture
Since 2022
See also fig.
22
,
24
,
64
See also fig.
22
,
24
,
64
Mucem
Global visual identity for the Museum of Marseille
From 2016 to 2023
See also fig.
9
,
21
,
25
,
60
See also fig.
9
,
21
,
25
,
60
Möbel, New Tendency
When smoke becomes forms
2024
See also fig.
10
,
27
See also fig.
10
,
27
Études Studio
Growing up and bold in Paris city
2023
See also fig.
34
,
40
,
52
See also fig.
34
,
40
,
52
Hermès
Helping Hermès to find the right fit
Since 2019
See also fig.
4
,
35
See also fig.
4
,
35
Hermès
Helping Hermès to find the right fit
Since 2019
See also fig.
3
,
35
See also fig.
3
,
35
Le gobelet de cristal, Thierry Chancogne, ed. Tombolo Presses
2022
Paris Photo
Since 2024
See also fig.
45
,
66
See also fig.
45
,
66
Festival d’Automne
Design of the visual identity of the multidisciplinary annual art festival
Since 2024
See also fig.
30
,
31
,
58
See also fig.
30
,
31
,
58
Sigma, Capc—Musée d'art contemporain de Bordeaux
2013
See also fig.
39
See also fig.
39
Mucem
Global visual identity for the Museum of Marseille
From 2016 to 2023
See also fig.
21
,
25
,
60
,
74
See also fig.
21
,
25
,
60
,
74
Mucem
Global visual identity for the Museum of Marseille
From 2016 to 2023
See also fig.
21
,
25
,
60
,
74
See also fig.
21
,
25
,
60
,
74
Möbel, New Tendency
When smoke becomes forms
2024
See also fig.
1
,
27
See also fig.
1
,
27
Laura Huang Li
Coloured palette on grey flowers
2025
Chaïm Soutine/Willem de Kooning, Musée d'Orsay, ed. Hazan
Boys going hard in da paint
2022
See also fig.
41
,
69
See also fig.
41
,
69
T2G—Théâtre de Gennevilliers
When personnal archives goes public
Since 2020
See also fig.
14
,
71
See also fig.
14
,
71
T2G—Théâtre de Gennevilliers
When personnal archives goes public
Since 2020
See also fig.
13
,
71
See also fig.
13
,
71
Absalon, Absalon, ed. Paraguay Press
Released during the exhibition at Capc
2021
Rex, Perez
2022
French Pavilion, Biennale de Venise
2023
See also fig.
28
See also fig.
28
Capc—Musée d'art contemporain de Bordeaux
Global identity for the comtemporary art museum in Bordeaux
Since 2020
See also fig.
43
,
68
,
70
See also fig.
43
,
68
,
70
Guten Tag, Tomek, ed. Rotolux Press
A 4 years wandering in the streets of Paris with a graffiti writer
2023
See also fig.
26
See also fig.
26
MAC VAL
First steps in the art world
From 2012 to 2023
See also fig.
33
,
50
See also fig.
33
,
50
MAC VAL
First steps in the art world
From 2012 to 2023
See also fig.
33
,
50
See also fig.
33
,
50
Mucem
Global visual identity for the Museum of Marseille
From 2016 to 2023
See also fig.
9
,
25
,
60
,
74
See also fig.
9
,
25
,
60
,
74
Éditions Caryatide
More books about architecture
Since 2022
See also fig.
24
,
64
,
65
,
67
,
73
See also fig.
24
,
64
,
65
,
67
,
73
Nonfiction
Art direction for korean fragrance new floral collection
2025
Éditions Caryatide
More books about architecture
Since 2022
See also fig.
22
,
64
,
65
,
67
,
73
See also fig.
22
,
64
,
65
,
67
,
73
Mucem
Global visual identity for the Museum of Marseille
From 2016 to 2023
See also fig.
9
,
21
,
60
,
74
See also fig.
9
,
21
,
60
,
74
Guten Tag, Tomek, ed. Rotolux Press
A 4 years wandering in the streets of Paris with a graffiti writer
2023
See also fig.
19
See also fig.
19
Möbel, New Tendency
When smoke becomes forms
2024
See also fig.
1
,
10
See also fig.
1
,
10
French Pavilion, Biennale de Venise
2023
See also fig.
17
See also fig.
17
Sans Titre
Chaumont design graphique
2014
See also fig.
49
See also fig.
49
Festival d’Automne
Design of the visual identity of the multidisciplinary annual art festival
Since 2024
See also fig.
7
,
31
,
58
See also fig.
7
,
31
,
58
Festival d’Automne
Design of the visual identity of the multidisciplinary annual art festival
Since 2024
See also fig.
7
,
30
,
58
See also fig.
7
,
30
,
58
France Atlantide—Le mystère des pyramides
Institut sérigraphique
2025
MAC VAL
First steps in the art world
From 2012 to 2023
See also fig.
20
,
50
See also fig.
20
,
50
Études Studio
Growing up and bold in Paris city
2023
See also fig.
2
,
40
,
52
See also fig.
2
,
40
,
52
Hermès
Helping Hermès to find the right fit
Since 2019
See also fig.
3
,
4
See also fig.
3
,
4
Hermès
Helping Hermès to find the right fit
Since 2019
See also fig.
3
,
4
See also fig.
3
,
4
Stains and Ashes, Ola Rindal
Blurry prints, grey paper, japanese binding, Norwegian sky
2025
Galaade Éditions
2005
Postdocument
A compilation of exhibition views
2015
Postdocument
A compilation of exhibition views
2015
Sigma, Capc—Musée d'art contemporain de Bordeaux
2013
See also fig.
8
See also fig.
8
Études Studio
Growing up and bold in Paris city
2023
See also fig.
2
,
34
,
52
See also fig.
2
,
34
,
52
Chaïm Soutine/Willem de Kooning, Musée d'Orsay, ed. Hazan
Boys going hard in da paint
2022
See also fig.
12
,
69
See also fig.
12
,
69
Prélude
Gradient print to inaugurate the arlesian foundation
2021
Capc—Musée d'art contemporain de Bordeaux
Global identity for the comtemporary art museum in Bordeaux
Since 2020
See also fig.
18
,
68
,
70
See also fig.
18
,
68
,
70
7 ans de réflexion, Musée d'Orsay, ed. Hazan
2014
Paris Photo
Since 2024
See also fig.
6
,
66
See also fig.
6
,
66
Paris Photo
Since 2024
See also fig.
6
,
66
See also fig.
6
,
66
Parallèle
Identity of a dance festival in Marseille
From 2018 to 2024
De l’inconvénient d’être nez à nez
Poster for an incertain exhibition
2015
Rue Claude Parent
Exhibition at Ravisius Textor, Nevers
2019
Sans Titre
Chaumont design graphique
2014
See also fig.
29
See also fig.
29
MAC VAL
First steps in the art world
From 2012 to 2023
See also fig.
20
,
33
See also fig.
20
,
33
Rejected Stone, Jimmie Durham, Paris Musée
Catalogue of the exhibition at Musée d'Art moderne de la ville de Paris
2009
See also fig.
59
,
61
See also fig.
59
,
61
Études Studio
Growing up and bold in Paris city
2023
See also fig.
2
,
34
,
40
See also fig.
2
,
34
,
40
Rejected Stone, Jimmie Durham, Paris Musée
Catalogue of the exhibition at Musée d'Art moderne de la ville de Paris
2009
See also fig.
59
,
61
See also fig.
59
,
61
Elaine Alain, ADAGP
From 2018 to 2023
Elaine Alain, ADAGP
From 2018 to 2023
Centre Wallonie Bruxelles à Paris
Art is about mouvement
From 2020 to 2023
Rue Claude Parent
Exhibition at Ravisius Textor, Nevers
2019
*Duuu Radio
Design of the art dedicated radio on line
2020
Festival d’Automne
Design of the visual identity of the multidisciplinary annual art festival
Since 2024
See also fig.
7
,
30
,
31
See also fig.
7
,
30
,
31
Rejected Stone, Jimmie Durham, Paris Musée
Catalogue of the exhibition at Musée d'Art moderne de la ville de Paris
2009
See also fig.
51
,
53
,
61
See also fig.
51
,
53
,
61
Mucem
Global visual identity for the Museum of Marseille
From 2016 to 2023
See also fig.
9
,
21
,
25
,
74
See also fig.
9
,
21
,
25
,
74
Rejected Stone, Jimmie Durham, Paris Musée
Catalogue of the exhibition at Musée d'Art moderne de la ville de Paris
2009
See also fig.
51
,
53
,
59
See also fig.
51
,
53
,
59
105 œuvres décisives de la peinture occidentale, Michel Butor
A journey in the History of Art by the famous writer
2016
25 Arts Seconde Centre Wallonie Bruxelles
Artist film Festival
2021
Éditions Caryatide
More books about architecture
Since 2022
See also fig.
22
,
24
,
65
,
67
,
73
See also fig.
22
,
24
,
65
,
67
,
73
Éditions Caryatide
More books about architecture
Since 2022
See also fig.
22
,
24
,
64
See also fig.
22
,
24
,
64
Paris Photo
Since 2024
See also fig.
6
,
45
See also fig.
6
,
45
Éditions Caryatide
More books about architecture
Since 2022
See also fig.
22
,
24
,
64
See also fig.
22
,
24
,
64
Capc—Musée d'art contemporain de Bordeaux
Global identity for the comtemporary art museum in Bordeaux
Since 2020
See also fig.
18
,
43
,
70
See also fig.
18
,
43
,
70
Chaïm Soutine/Willem de Kooning, Musée d'Orsay, ed. Hazan
Boys going hard in da paint
2022
See also fig.
12
,
41
See also fig.
12
,
41
Capc—Musée d'art contemporain de Bordeaux
Global identity for the comtemporary art museum in Bordeaux
Since 2020
See also fig.
18
,
43
,
68
See also fig.
18
,
43
,
68
T2G—Théâtre de Gennevilliers
When personnal archives goes public
Since 2020
See also fig.
13
,
14
See also fig.
13
,
14
Carcy Magazine
From 2019 to 2021
Éditions Caryatide
More books about architecture
Since 2022
See also fig.
22
,
24
,
64
See also fig.
22
,
24
,
64
Mucem
Global visual identity for the Museum of Marseille
From 2016 to 2023
See also fig.
9
,
21
,
25
,
60
See also fig.
9
,
21
,
25
,
60